{"id":1166,"date":"2008-05-21T06:10:29","date_gmt":"2008-05-21T05:10:29","guid":{"rendered":"https:\/\/thecliffedge.com\/blog\/?p=1166"},"modified":"2015-03-22T11:32:13","modified_gmt":"2015-03-22T11:32:13","slug":"cannes-old-fashioned-romance-in-two-lovers","status":"publish","type":"post","link":"https:\/\/thecliffedge.com\/?p=1166","title":{"rendered":"CANNES FILM REVIEW: James Gray&#8217;s &#8216;Two Lovers&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/05\/Two-Lovers-Shaw-Phoenix-2008-x650.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-5647\" src=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/05\/Two-Lovers-Shaw-Phoenix-2008-x650.jpg\" alt=\"'Two Lovers' Shaw Phoenix 2008 x650\" width=\"650\" height=\"300\" srcset=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/05\/Two-Lovers-Shaw-Phoenix-2008-x650.jpg 650w, https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/05\/Two-Lovers-Shaw-Phoenix-2008-x650-300x138.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a>By Ray Bennett<\/p>\n<p>CANNES \u2013 They don&#8217;t make pictures like James Gray&#8217;s &#8220;Two Lovers&#8221; anymore. It&#8217;s an old-fashioned love story in which the melodramatic trapdoors of shock and surprise never open. Joaquin Phoenix plays a rumpled innocent with two coins in the fountain of love and the only suspense is over which one the fountain will bless.<\/p>\n<p>Shot, paced and scored like a 1950s kitchen-sink romance, the film spurns the school of Judd Apatow with a complete disdain for adolescent contrivance and stupid gags. Box office will depend on audiences in the &#8220;Grand Theft Auto&#8221; era deciding that the fate of three little people adds up to more than a hill of beans. Lacking a larger context such as a world war, odds are they won&#8217;t, but the film will please many and it may win awards.<\/p>\n<p>The story asks the eternal question of whether it&#8217;s wiser to pursue the one you love or turn to the one who loves you. It is also a snapshot of the tribal ritual that pits the instinct for loyalty and continuity against the temptation to stride into the unknown.<\/p>\n<p>In this case, the environment is the Jewish community in New York&#8217;s Brighton Beach in a deliberately fuzzy time period. Phoenix plays Leonard, the adopted son of Reuben Kraditor (Moni Moshonov) and his wife Ruth (Isabella Rossellini), who is suicidal after being forced to break off a planned marriage due to circumstances beyond his control.<\/p>\n<p><a href=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/05\/Two-Lovers-2-2008.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-5648\" src=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/05\/Two-Lovers-2-2008.jpg\" alt=\"'Two Lovers' 2 2008\" width=\"597\" height=\"426\" srcset=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/05\/Two-Lovers-2-2008.jpg 597w, https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/05\/Two-Lovers-2-2008-300x214.jpg 300w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/a>Earnest and dutiful, Leonard works in his father&#8217;s dry cleaning business, which is about to be merged with a larger operation. In the process, he is encouraged to romance the potential partner&#8217;s lovely daughter Sandra (Vinessa Shaw, pictured top with Phoenix and with Gwyneth Paltrow) as much as anything out of fealty.<\/p>\n<p>Leonard, however, has a freer spirit with a good eye for photography, and when he encounters shining blonde Michelle (Gwyneth Paltrow), who has moved into his parents&#8217; apartment building, he is instantly smitten. Michelle comes with baggage, including an older married lover Ronald (Elias Koteas) and perhaps a taste for whatever gets you through the night, but Leonard doesn&#8217;t care.<\/p>\n<p>Phoenix plays the romantic lead with great intelligence and enormous charm, making his character&#8217;s conflict utterly believable, and Paltrow positively glows as the radiant shiksa who dazzles him. As the other woman, though, Shaw (&#8220;3:10 to Yuma&#8221;) presents a small problem. She&#8217;s a very good actress and made to look slightly dowdy but she is so beautiful and graceful that you wonder what on earth Leonard is thinking.<\/p>\n<p>But it works, and the script by director Gray and Richard Menello plays it straight throughout with Michael Clancy&#8217;s atmospheric production design and Joaquin Baca-Asay&#8217;s classic cinematography giving the film a sturdy look, never loud or gaudy.<\/p>\n<p>The acting is similarly restrained. Moshonov and Rossellini play the parents as loving but world-weary; worried for their son but wishing him the best. Koteas gives the married lover added dimension and the rest of the cast is equally convincing.<\/p>\n<p>Venue: Festival de Cannes, In Competition; Cast: Joaquin Phoenix, Gwyneth Paltrow, Vinessa Shaw, Isabella Rossellini, Elias Koteas, Moni Moshonov; Director: James Gray; Screenwriters: James Gray &amp; Richard Menello; Producers: Donna Gigliotti, James Gray, Anthony Katagas. Director of photography: Joaquin Baca-Asay. Production designer: Happy Massee. Music: Dana Sano. Costume designer: Michael Clancy. Editor: John Axelrad; Producers: Donna Gigliotti, James Gray, Anthony Katagas. Executive producers: Todd Wagner, Mark Cuban, Marc Butan. Sales: Wild Bunch; No MPAA rating, running time, 100 mins.<\/p>\n<p>This review appeared in The Hollywood Reporter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Ray Bennett CANNES \u2013 They don&#8217;t make pictures like James Gray&#8217;s &#8220;Two Lovers&#8221; anymore. It&#8217;s an old-fashioned love story in which the melodramatic trapdoors of shock and surprise never open. Joaquin Phoenix plays a rumpled innocent with two coins &hellip; <a href=\"https:\/\/thecliffedge.com\/?p=1166\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,5,14],"tags":[267,3073,4170,623,659,671,706,3072,1223],"class_list":["post-1166","post","type-post","status-publish","format-standard","hentry","category-festival-de-cannes","category-film","category-reviews","tag-two-lovers","tag-elias-koteas","tag-festival-de-cannes","tag-gwyneth-paltrow","tag-isabella-rossellini","tag-james-gray","tag-joaquin-phoenix","tag-moni-moshonov","tag-vinessa-shaw"],"_links":{"self":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/1166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1166"}],"version-history":[{"count":2,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/1166\/revisions"}],"predecessor-version":[{"id":5649,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/1166\/revisions\/5649"}],"wp:attachment":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}