{"id":1396,"date":"2008-09-25T10:42:12","date_gmt":"2008-09-25T09:42:12","guid":{"rendered":"https:\/\/thecliffedge.com\/blog\/?p=1396"},"modified":"2015-03-24T17:05:21","modified_gmt":"2015-03-24T17:05:21","slug":"rio-de-janeiro-festival-heads-to-port","status":"publish","type":"post","link":"https:\/\/thecliffedge.com\/?p=1396","title":{"rendered":"Headed to the Rio de Janeiro film festival"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/09\/Rio-de-Janeiro-x650.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-5911\" src=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/09\/Rio-de-Janeiro-x650.jpg\" alt=\"Rio de Janeiro x650\" width=\"650\" height=\"488\" srcset=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/09\/Rio-de-Janeiro-x650.jpg 650w, https:\/\/thecliffedge.com\/wp-content\/uploads\/2008\/09\/Rio-de-Janeiro-x650-300x225.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a>By Ray Bennett<\/p>\n<p>LONDON \u2013 The Hollywood Reporter has assigned me to cover the Rio de Janeiro International Film Festival in the first week of October.<\/p>\n<p>The 10th Rio festival kicks off Thursday with Brazilian director Bruno Barreto&#8217;s &#8220;Last Stop 174&#8221; centred in brand new headquarters in the city&#8217;s historic port area.<\/p>\n<p>The custom-designed, 64,500-square-foot Centro Cultural da Acao e Cidadania will house the Rio Market, the Cine Encontro, in which panel discussions and conferences take place, and a meeting point called Cine Mobile Nokia.<\/p>\n<p>The glamorous side of the festival, which will screen 350 films, will continue to take place at the downtown venues Cinelandia&#8217;s Cine Palacio and Cine Odeon Petrobras, which has been refurbished.<\/p>\n<p>There will be Latin American premieres for Woody Allen\u2019s \u201cVicky Cristina Barcelona,\u201d Francis Ford Coppola\u2019s \u201cYouth Without Youth,\u201d Joel and Ethan Coen\u2019s \u201cBurn After Reading,\u201d Lucrecia Martel\u2019s \u201cLa mujer sin Cabeza,\u201d Pablo Trapero\u2019s \u201cLa Leonera,\u201d Mike Leigh\u2019s \u201cHappy Go Lucky,\u201d and Korean director Kim Jee-woon\u2019s \u201cThe Good, the Bad, the Weird.\u201d<\/p>\n<p>The festival\u2019s competition, Premiere Brasil, will feature world premieres including first time director Matheus Souza\u2019s \u201cApenas O Fim,\u201d Mauricio Farias\u2019 \u201cVeronica,\u201d and Jos\u00e9 Eduardo Belmonte\u2019s \u201cSe Nada Mais de Certo.\u201d<\/p>\n<p>Festival artistic director Ilda Santiago told me, \u201cLatin American films don\u2019t travel well to other Latin American countries and we have to build those bridges. One of the main strategies of the festival, and we\u2019ve seen it growing over the years, is to make it the kind of place where producers from different countries can meet and talk about ideas and projects.\u201d<\/p>\n<p>The festival is also important because it helps to launch films into the Latin American market, Santiago said: \u201cThere is still a huge audience in Latin America that has not been reached and we want to make the world understand how under-worked it is and Hollywood to understand what a great launching pad the festival is.\u201d<\/p>\n<p>A version of this story appeared in The Hollywood Reporter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; By Ray Bennett LONDON \u2013 The Hollywood Reporter has assigned me to cover the Rio de Janeiro International Film Festival in the first week of October. 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