{"id":1637,"date":"2009-03-30T22:31:16","date_gmt":"2009-03-30T21:31:16","guid":{"rendered":"https:\/\/thecliffedge.com\/blog\/?p=1637"},"modified":"2015-03-27T17:11:37","modified_gmt":"2015-03-27T17:11:37","slug":"boat-that-rocked-is-creaky-but-just-about-floats","status":"publish","type":"post","link":"https:\/\/thecliffedge.com\/?p=1637","title":{"rendered":"FILM REVIEW: Richard Curtis&#8217;s &#8216;The Boat That Rocked&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2009\/03\/The-Boat-That-Rocked.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6273\" src=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2009\/03\/The-Boat-That-Rocked.jpg\" alt=\"The-Boat-That-Rocked\" width=\"615\" height=\"300\" srcset=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2009\/03\/The-Boat-That-Rocked.jpg 615w, https:\/\/thecliffedge.com\/wp-content\/uploads\/2009\/03\/The-Boat-That-Rocked-300x146.jpg 300w\" sizes=\"auto, (max-width: 615px) 100vw, 615px\" \/><\/a><\/p>\n<p>By Ray Bennett<\/p>\n<p>LONDON \u2013 Richard Curtis\u2019 new comedy \u201cThe Boat That Rocked\u201d, about the pirate radio stations that sprang up briefly in the United Kingdom in the 1960s, is like a long, slow cruise where all the fun is in the exotic ports of call but life on board is pretty dull.<\/p>\n<p>Many great pop songs from that era make up the stops along the way and whenever an old favorite breezes along the film draws on its energy. But it\u2019s far too long and, between the tracks, the episodic adventures of a group of disc jockeys broadcasting rock \u2019n\u2019 roll from a rusty old clunker anchored just beyond the three-mile limit from the British Isles is heavy going.<\/p>\n<p>An infectiously nostalgic soundtrack and likeable performers including Philip Seymour Hoffman, Bill Nighy and Rhys Ifans plus a sentimental and upbeat ending will take the picture beyond the box office shallows but it\u2019s unlikely to prove as bountiful as previous Curtis creations such as \u201cLove Actually\u201d and \u201cNotting Hill\u201d.<\/p>\n<p>The film sets the scene \u00a0quickly in the mid-1960s when British rock was exploding but the BBC was bound contractually to produce live music so pop records barely got a look in. Set almost entirely onboard the fictional floating broadcast ship Radio Rock, the comedy is drawn from the frat-boy relationships of the eclectic gang playing the records.<\/p>\n<p>Nighy, as the station\u2019s debonair owner, Hoffman as the token boisterous Yank known as the Count, and Ifans as a deejay superstar named Gavin, provide the film\u2019s best moments with typical flare.<\/p>\n<p>Young English actor Tom Sturridge does well as Carl, the owner\u2019s godson, whose arrival provides the means of introducing everyone. Some of the best moments involve arrivals on the ship including Ifans\u2019 and one that features a cameo by Emma Thompson who looks ravishing.<\/p>\n<p><a href=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2009\/03\/Gemma-Boat-that-Rocked.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6274\" src=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2009\/03\/Gemma-Boat-that-Rocked.jpg\" alt=\"Gemma Boat that Rocked\" width=\"650\" height=\"350\" srcset=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2009\/03\/Gemma-Boat-that-Rocked.jpg 650w, https:\/\/thecliffedge.com\/wp-content\/uploads\/2009\/03\/Gemma-Boat-that-Rocked-300x162.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><\/p>\n<p>There\u2019s a bit of a plot that involves Carl as he tries to find out which of those on board is his long-lost father but mostly it\u2019s a series of set pieces with\u00a0games sparked by various rivalries. One results in the Count and Gavin climbing aloft to see who chickens out first.<\/p>\n<p>Another has Carl falling for a pretty young visitor (Tallulah Riley) who promptly jumps into bed with horny deejay Dave (Nick Frost), who also has a thing for Disiree\u00a0(Gemma Arterton, pictured). Curtis likes the joke so much that he repeats it with another of the team (Chris O\u2019Dowd) and his sweetheart (January Jones from TV\u2019s \u201cMad Men\u201d).<\/p>\n<p>It\u2019s lame stuff and it doesn&#8217;t help that\u00a0Curtis gives the women names that play directly into hit songs so cue Leonard Cohen\u2019s \u201cSo Long Marianne\u201d and the Turtles\u2019 \u201cElenore.\u201d Frequently, the film becomes simply a music video that involves the whole cast although one London pub-crawl sequence looks like the cheesiest Fab Four frolic.<\/p>\n<p>The vessel leaks each time it cuts to scenes of the delirious British public intoxicated by the miracle of rock \u2019n\u2019 roll. It starts to list seriously during several dry-land scenes in which Kenneth Branagh hams mercilessly as a prissy government minister with an assistant named Twatt who is determined to shut the pirates down.<\/p>\n<p>The real pirate radio ships, whose days ended in 1967, wound up being towed away for salvage but the film avoids that fate, like the best rock songs, with a rousing finish and a pleasing climax.<\/p>\n<p>Opens: UK &#8211; April 1, US &#8211; Aug. 28 (Universal Pictures); Cast: Philip Seymour Hoffman, Bill Nighy, Rhys Ifans, Nick Frost, Kenneth Branagh; Director, screenwriter: Richard Curtis; Director of photography: Danny Cohen; Production designer: Mark Tildesley; Costume designer: Joanna Johnston; Editor: Emma Hickox; Producers: Tim Bevan, Eric Fellner, Hilary Bevan Jones; Executive producers: Richard Curtis, Debra Hayward, Liza Chasin; Production: Working Title; Rated R; running time, 134 minutes.<\/p>\n<p>This review appeared in The Hollywood Reporter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Ray Bennett LONDON \u2013 Richard Curtis\u2019 new comedy \u201cThe Boat That Rocked\u201d, about the pirate radio stations that sprang up briefly in the United Kingdom in the 1960s, is like a long, slow cruise where all the fun is &hellip; <a href=\"https:\/\/thecliffedge.com\/?p=1637\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,8,14],"tags":[217,391,2140,558,598,3145,980,1012,1016,3144,3146],"class_list":["post-1637","post","type-post","status-publish","format-standard","hentry","category-film","category-music","category-reviews","tag-the-boat-that-rocked","tag-bill-nighy","tag-chris-odowd","tag-emma-thompson","tag-gemma-arterton","tag-januray-jones","tag-philip-seymour-hoffman","tag-rhys-ifans","tag-richard-curtis","tag-tallulah-riley","tag-tom-sturridge"],"_links":{"self":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/1637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1637"}],"version-history":[{"count":3,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/1637\/revisions"}],"predecessor-version":[{"id":6275,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/1637\/revisions\/6275"}],"wp:attachment":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}