{"id":2649,"date":"2011-08-21T13:03:48","date_gmt":"2011-08-21T13:03:48","guid":{"rendered":"https:\/\/thecliffedge.com\/?p=2649"},"modified":"2015-03-31T08:52:24","modified_gmt":"2015-03-31T08:52:24","slug":"review-globes-anne-boleyn-is-radical-good-fun","status":"publish","type":"post","link":"https:\/\/thecliffedge.com\/?p=2649","title":{"rendered":"THEATRE REVIEW: ‘Anne Boleyn’ at Shakespeare’s Globe"},"content":{"rendered":"
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Members of the cast of ‘Anne Bolyen’ talk to the crowd ahead of the performance.<\/p><\/div>\n

By Ray Bennett<\/p>\n

Finally made it to Shakespeare\u2019s Globe in London to catch Howard Brenton\u2019s Tudor romp \u201cAnne Boleyn\u201d before it closes today. A hit this summer as it was on its debut last year, the crowd- and critic-pleasing production will surely be back next year.<\/p>\n

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It might have started as a tourist attraction, and the summer crowd from London Bridge to Waterloo teems with overseas visitors, but the Globe has earned a deserved reputation for top-class theatre in a relaxed environment.<\/p>\n

The actors come out onto the stage to talk to the Groundlings, and the fact that people will stand for two and a half hours (including an interval) to watch a play about the 16th and 17th century politics of the English court, speaks for itself.<\/p>\n

Brenton takes a radical view of King Henry VIII\u2019s second wife through the eyes of James I (James Garnon) reading her diary nearly 70 years after her death. In director John Dove\u2019s vivid staging, Anne speaks directly to the audience and she wins the audience\u2019s sympathy immediately thanks to the radiant and engaging performance of Miranda Raison.<\/p>\n

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Miranda Raison (third from left) is radiant, sexy and determined as a young woman with a cause.<\/p><\/div>\n

The former \u201cSpooks\u201d star manages to combine a twinkle in the eye with the steely determination of a young woman who knows that if she can win the king\u2019s heart, she can change the world. For Brenton\u2019s Anne is a Protestant crusader who meets secretly with William Tyndale (Peter Hamilton Dyer), who wrote a banned English version of the New Testament, in order to further her cause.<\/p>\n

Brenton explores with insight and wit the well-known Machiavellian intrigue of the day with Cardinal Wolsey (Colin Hurley) and Thomas Cromwell (Julius D\u2019Silva) up to no good. He leaves out the role of Anne\u2019s parents in her gambit to become queen and the \u201cother Boleyn girl\u201d is dismissed as a one-night stand.<\/p>\n

According to Brenton, it was Anne\u2019s revelation to Henry (Anthony Powell) that Tynsdale\u2019s book argued that a king reported to his god and not to the pope that brought about the Reformation. When the James finds Anne\u2019s diary and a copy of Tynsdale, it prompts the newly crowned king to call for his enduring new translation of the bible.<\/p>\n

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James Garnon, right, makes a gay and frolicsome King James I<\/p><\/div>\n

It\u2019s clever stuff but it\u2019s very funny as well as dramatic and the accomplished cast puts it across with tremendous verve. \u201cFoyle\u2019s War\u201d costar Powell gives Henry the right mix of bombast and lust; D\u2019Silva\u2019s stern and treacherous Cromwell stalks the stage with menace and Garnon\u2019s gay and flighty James grows in stature as he calls on the disputatious religious factions to account for themselves.<\/p>\n

Garnon matches Raison as a Groundlings favourite with his camp and frolicsome Scottish king, and when he speaks of god and England\u2019s marvels, he takes advantage of the open air venue to glower at the sky with a noisy helicopter hovering above, and the crowd loves it.<\/p>\n

Here\u2019s a rundown of ongoing Globe productions at London Theatre.com<\/a> \u00a0and here’s more about Shakespeare’s Globe<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

By Ray Bennett Finally made it to Shakespeare\u2019s Globe in London to catch Howard Brenton\u2019s Tudor romp \u201cAnne Boleyn\u201d before it closes today. A hit this summer as it was on its debut last year, the crowd- and critic-pleasing production … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,16],"tags":[1493,1499,1497,1495,1498,1496,1494,1492],"class_list":["post-2649","post","type-post","status-publish","format-standard","hentry","category-reviews","category-theatre","tag-anne-boleyn","tag-foyles-war","tag-spooks","tag-anthony-powell","tag-howard-brenton","tag-james-garnon","tag-miranda-raison","tag-shakespeares-globe"],"_links":{"self":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/2649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2649"}],"version-history":[{"count":6,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/2649\/revisions"}],"predecessor-version":[{"id":6684,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/2649\/revisions\/6684"}],"wp:attachment":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}