{"id":3246,"date":"2012-12-19T13:45:52","date_gmt":"2012-12-19T13:45:52","guid":{"rendered":"https:\/\/thecliffedge.com\/?p=3246"},"modified":"2015-03-31T13:06:00","modified_gmt":"2015-03-31T13:06:00","slug":"the-master-amour-top-london-critics-circle-film-awards-nominations","status":"publish","type":"post","link":"https:\/\/thecliffedge.com\/?p=3246","title":{"rendered":"‘The Master’, ‘Amour’ top London critics awards nominations"},"content":{"rendered":"

\"Entertainment<\/a><\/p>\n

By Ray Bennett<\/p>\n

Entertainment Film\u2019s \u201cThe Master\u201d and Artificial Eye\u2019s \u201cAmour\u201d topped the 33rd London Critics\u2019 Circle Film Awards nominations with seven each including film of the year.<\/p>\n

\u201cThe Master\u201d, which Entertainment in Video will release on Blu-ray and DVD on March 11, also received nominations for Paul Thomas Anderson as best director and screenwriter, best actor for Joaquin Phoenix, best supporting actor for Philip Seymour Hoffman and best supporting actress for Amy Adams.<\/p>\n

\u201cAmour\u201d, the Palme d\u2019Or winner at this year\u2019s Festival de Cannes, that Artificial Eye released in UK cinemas on Nov. 16, also was nominated as best foreign-language film. Other nods went to Michael Haneke as best director and screenwriter, Jean-Louis Trintignant as best actor, Emmuanelle Riva as best actress, and Isabelle Huppert as best supporting actress.<\/p>\n

The latest James Bond picture, \u201cSkyfall,\u201d which has been a massive hit for Sony in the UK and elsewhere, picked up five nominations including best British film, best British actor for Daniel Craig, best supporting actor for Javier Bardem, and best supporting actress for Judi Dench, who also was nominated as best British actress for her work on the 007 film and Fox\u2019s \u201cThe Best Exotic Marigold Hotel\u201d.<\/p>\n

The other nominees for film of the year are \u201cArgo\u201d (Warners),\u00a0\u201cBeasts of the Southern Wild\u201d (StudioCanal) and \u201cLife of Pi\u201d (Fox) and for foreign-language film of the year \u201cHoly Motors\u201d (Artificial Eye), \u201cOnce Upon a Time in Anatolia\u201d (New Wave), \u201cRust and Bone\u201d (StudioCanal) and \u201cTabu\u201d (New Wave).<\/p>\n

British film of the year nominees also include \u201cBerberian Sound Studio\u201d (Artificial Eye), \u201cThe Imposter\u201d (Picturehouse\/Revolver), \u201cLes Miserables\u201d (Universal) and \u201cSightseers\u201d (StudioCanal).<\/p>\n

Also in contention for the best actor prize are Daniel Day-Lewis for \u201cLincoln\u201d (Fox), Hugh Jackman for \u201cLes Miserables\u201d (Universal), and Mads Mikkelsen for \u201cThe Hunt\u201d (Arrow). Best actress nominees include Jessica Chastain for \u201cZero Dark Thirty\u201d (Universal), Marion Cotillard for \u201cRust and Bone\u201d (StudioCanal), Helen Hunt for \u201cThe Sessions\u201d (Fox) and<\/p>\n

Jennifer Lawrence for \u201cSilver Linings Playbook\u201d (Entertainment).<\/p>\n

The London Film Critics\u2019 Circle membership includes more than 120 critics, broadcasters and writers and Chairman Jason Solomons noted that this year\u2019s selections illustrate \u201cthe great variation of extraordinary work\u201d in film over the last year.<\/p>\n

He said, \u201cIn all categories, the films are of outstanding quality this year, indicating how the London critics view all films from around the world on a level footing \u2013 brilliance is the only benchmark. Choosing winners will be harder than ever, but never will they have been more deserving.\u201d<\/p>\n

The 33rd London Critics\u2019 Circle Film Awards take place at the May Fair Hotel in London on Sunday Jan. 20 in aid of charity partner Missing People, which provides a 24\/7 lifeline when someone goes missing.<\/p>\n

This story appeared in Cue Entertainment. A complete list of nominees follows:<\/p>\n

The Sky Movies Award: FILM OF THE YEAR<\/p>\n

Amour (Artificial Eye)<\/p>\n

Argo (Warners)<\/p>\n

Beasts of the Southern Wild (StudioCanal)<\/p>\n

Life of Pi (Fox)<\/p>\n

The Master (Entertainment)<\/p>\n

FOREIGN LANGUAGE FILM OF THE YEAR<\/p>\n

Amour (Artificial Eye)<\/p>\n

Holy Motors (Artificial Eye)<\/p>\n

Once Upon a Time in Anatolia (New Wave)<\/p>\n

Rust and Bone (StudioCanal)<\/p>\n

Tabu (New Wave)<\/p>\n

DOCUMENTARY OF THE YEAR<\/p>\n

The Imposter (Picturehouse\/Revolver)<\/p>\n

London: The Modern Babylon (BFI)<\/p>\n

Nostalgia for the Light (New Wave)<\/p>\n

The Queen of Versailles (Dogwoof)<\/p>\n

Searching for Sugar Man (StudioCanal)<\/p>\n

The May Fair Hotel Award: BRITISH FILM OF THE YEAR<\/p>\n

Berberian Sound Studio (Artificial Eye)<\/p>\n

The Imposter (Picturehouse\/Revolver)<\/p>\n

Les Miserables (Universal)<\/p>\n

Sightseers (StudioCanal)<\/p>\n

Skyfall (Sony)<\/p>\n

The Spotlight Award: ACTOR OF THE YEAR<\/p>\n

Daniel Day-Lewis \u2013 Lincoln (Fox)<\/p>\n

Hugh Jackman \u2013 Les Miserables (Universal)<\/p>\n

Mads Mikkelsen \u2013 The Hunt (Arrow)<\/p>\n

Joaquin Phoenix \u2013 The Master (Entertainment)<\/p>\n

Jean-Louis Trintignant \u2013 Amour (Artificial Eye)<\/p>\n

ACTRESS OF THE YEAR<\/p>\n

Jessica Chastain – Zero Dark Thirty (Universal)<\/p>\n

Marion Cotillard – Rust and Bone (StudioCanal)<\/p>\n

Helen Hunt – The Sessions (Fox)<\/p>\n

Jennifer Lawrence – Silver Linings Playbook (Entertainment)<\/p>\n

Emmanuelle Riva \u2013 Amour (Artificial Eye)<\/p>\n

SUPPORTING ACTOR OF THE YEAR<\/p>\n

Alan Arkin \u2013 Argo (Warners)<\/p>\n

Javier Bardem \u2013 Skyfall (Sony)<\/p>\n

Michael Fassbender \u2013 Prometheus (Fox)<\/p>\n

Philip Seymour Hoffman \u2013 The Master (Entertainment)<\/p>\n

Tommy Lee Jones \u2013 Lincoln (Fox)<\/p>\n

SUPPORTING ACTRESS OF THE YEAR<\/p>\n

Amy Adams \u2013 The Master (Entertainment)<\/p>\n

Judi Dench \u2013 Skyfall (Sony)<\/p>\n

Sally Field \u2013 Lincoln (Fox)<\/p>\n

Anne Hathaway \u2013 Les Miserables (Universal)<\/p>\n

Isabelle Huppert \u2013 Amour (Artificial Eye)<\/p>\n

BRITISH ACTOR OF THE YEAR \u2013 In association with Cameo Productions<\/p>\n

Daniel Craig \u2013 Skyfall (Sony)<\/p>\n

Charlie Creed-Miles – Wild Bill (The Works\/Universal)<\/p>\n

Daniel Day-Lewis \u2013 Lincoln (Fox)<\/p>\n

Toby Jones \u2013 Berberian Sound Studio (Artificial Eye)<\/p>\n

Steve Oram \u2013 Sightseers (StudioCanal)<\/p>\n

BRITISH ACTRESS OF THE YEAR<\/p>\n

Emily Blunt \u2013 Looper (eOne) and Your Sister’s Sister (StudioCanal)<\/p>\n

Judi Dench \u2013 The Best Exotic Marigold Hotel (Fox) and Skyfall (Sony)<\/p>\n

Alice Lowe \u2013 Sightseers (StudioCanal)<\/p>\n

Helen Mirren \u2013 Hitchcock (Fox)<\/p>\n

Andrea Riseborough \u2013 Shadow Dancer (Paramount)<\/p>\n

YOUNG BRITISH PERFORMER OF THE YEAR<\/p>\n

Samantha Barks \u2013 Les Miserables (Universal)<\/p>\n

Fady Elsayed \u2013 My Brother the Devil (Verve)<\/p>\n

Tom Holland \u2013 The Impossible (eOne)<\/p>\n

Will Poulter \u2013 Wild Bill (The Works\/Universal) Jack Reynor \u2013 What Richard Did (Artificial Eye)<\/p>\n

The American Airlines Award: DIRECTOR OF THE YEAR<\/p>\n

Paul Thomas Anderson \u2013 The Master (Entertainment)<\/p>\n

Kathryn Bigelow \u2013 Zero Dark Thirty (Universal)<\/p>\n

Nuri Bilge Ceylan \u2013 Once Upon a Time in Anatolia (New Wave)<\/p>\n

Michael Haneke \u2013 Amour (Artificial Eye)<\/p>\n

Ang Lee \u2013 Life of Pi (Fox)<\/p>\n

SCREENWRITER OF THE YEAR<\/p>\n

Paul Thomas Anderson \u2013 The Master (Entertainment)<\/p>\n

Mark Boal \u2013 Zero Dark Thirty (Universal)<\/p>\n

Michael Haneke \u2013 Amour (Artificial Eye)<\/p>\n

Quentin Tarantino – Django Unchained (Sony)<\/p>\n

Chris Terrio \u2013 Argo (Warners)<\/p>\n

BREAKTHROUGH BRITISH FILM-MAKER<\/p>\n

Ben Drew, writer\/director \u2013 Ill Manors (Revolver)<\/p>\n

Sally El Hosaini, writer\/director \u2013 My Brother the Devil (Verve)<\/p>\n

Dexter Fletcher, co-writer\/director \u2013 Wild Bill (The Works\/Universal)<\/p>\n

Bart Layton, writer\/director \u2013 The Imposter (Picturehouse\/Revolver)<\/p>\n

Alice Lowe & Steve Oram, writers \u2013 Sightseers (StudioCanal)<\/p>\n

The Sky 3D Award: TECHNICAL ACHIEVEMENT AWARD<\/p>\n

Anna Karenina \u2013 Jacqueline Durran, costumes (Universal)<\/p>\n

Argo \u2013 William Goldenberg, film editing (Warners)<\/p>\n

Beasts of the Southern Wild \u2013 Ben Richardson, cinematography (StudioCanal)<\/p>\n

Berberian Sound Studio \u2013 Joakim Sundstrom & Stevie Haywood, sound design (Artificial Eye)<\/p>\n

Holy Motors \u2013 Bernard Floch, makeup (Artificial Eye)<\/p>\n

Life of Pi \u2013 Claudio Miranda, cinematography (Fox)<\/p>\n

Life of Pi \u2013 Bill Westenhofer, visual effects (Fox)<\/p>\n

The Master \u2013 Jack Fisk & David Crank, production design (Entertainment)<\/p>\n

My Brother the Devil \u2013 David Raedeker, cinematography (Verve)<\/p>\n

Rust and Bone \u2013 Alexandre Desplat, music (StudioCanal)<\/p>\n

DILYS POWELL AWARD FOR EXCELLENCE IN FILM: Sponsored by PREMIER<\/p>\n

Helena Bonham Carter<\/p>\n

NB: Irish films, filmmakers and performers are eligible in British categories.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Ray Bennett Entertainment Film\u2019s \u201cThe Master\u201d and Artificial Eye\u2019s \u201cAmour\u201d topped the 33rd London Critics\u2019 Circle Film Awards nominations with seven each including film of the year. \u201cThe Master\u201d, which Entertainment in Video will release on Blu-ray and DVD … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,9],"tags":[1816,1811,350,1815,1814],"class_list":["post-3246","post","type-post","status-publish","format-standard","hentry","category-film","category-news","tag-amour","tag-the-master","tag-artificial-eye","tag-entertainment-films","tag-london-critics-circle-film-awards"],"_links":{"self":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/3246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3246"}],"version-history":[{"count":4,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/3246\/revisions"}],"predecessor-version":[{"id":6773,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/3246\/revisions\/6773"}],"wp:attachment":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}