{"id":7733,"date":"2004-09-22T14:58:41","date_gmt":"2004-09-22T14:58:41","guid":{"rendered":"https:\/\/thecliffedge.com\/?p=7733"},"modified":"2015-05-07T15:04:19","modified_gmt":"2015-05-07T15:04:19","slug":"theatre-review-steve-blacks-missing-marilyn","status":"publish","type":"post","link":"https:\/\/thecliffedge.com\/?p=7733","title":{"rendered":"THEATRE REVIEW: Steve Black&#8217;s &#8216;Missing Marilyn&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2004\/09\/Missing-Marilyn-x650.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7736\" src=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2004\/09\/Missing-Marilyn-x650.jpg\" alt=\"Missing Marilyn x650\" width=\"650\" height=\"500\" srcset=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2004\/09\/Missing-Marilyn-x650.jpg 650w, https:\/\/thecliffedge.com\/wp-content\/uploads\/2004\/09\/Missing-Marilyn-x650-300x231.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><\/p>\n<p>By Ray Bennett<\/p>\n<p>LONDON \u2013 One night in 1955, a handsome stranger in a tuxedo delivers a bottle of champagne on ice to a beautiful woman alone in a seedy motel room. It&#8217;s obvious who she is, all blonde hair, curvaceous body, and wistful voice. She&#8217;s Marilyn Monroe, but who is he, courteous and charming and unforthcoming?<\/p>\n<p><a href=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2004\/09\/Missing-Marilyn-2-x325.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-7737\" src=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2004\/09\/Missing-Marilyn-2-x325.jpg\" alt=\"Missing Marilyn 2 x325\" width=\"325\" height=\"484\" srcset=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2004\/09\/Missing-Marilyn-2-x325.jpg 325w, https:\/\/thecliffedge.com\/wp-content\/uploads\/2004\/09\/Missing-Marilyn-2-x325-201x300.jpg 201w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/a>The identity of the stranger is the final kicker in Steve Black&#8217;s slight but absorbing one-act play that relates most of the known facts about Monroe&#8217;s life up to the point she was having marital problems with Joe DiMaggio. Mostly it&#8217;s a monologue, with Marilyn relating the sad details of her childhood, her mostly tawdry treatment by men and what turned out to be thwarted ambitions.<\/p>\n<p>What makes the time pass engagingly is the astonishing ability of Sally Day to look and sound like Monroe. The actress isn&#8217;t by any means a dead ringer for the movie star except for crucial moments when either still or in motion the likeness is uncanny.<\/p>\n<p>In Black&#8217;s scenario, Monroe has retreated from the clamor of her growing fame, her marriage to baseball hero DiMaggio withering in the glare of relentless attention. That famous shot from &#8220;The Seven Year Itch&#8221; with her skirt blowing up over the New York subway vent has blown Smokin&#8217; Joe&#8217;s cool and the bombshell already has a hankering for someone a little older and literary, Arthur Miller, say.<\/p>\n<p>Some of Black&#8217;s chronology is out of whack, especially considering who the stranger turns out to be, but Andrew Crabb does a good job of making him solicitous toward the wounded bird that Monroe had become.<\/p>\n<p>Not many actresses have been able to match Monroe&#8217;s ineffable screen presence but Day, sympathetic and sexy, comes very close.<\/p>\n<p>Venue: The King&#8217;s Head Theatre, runs through Oct. 17; Cast: Sally Day, Andrew Crabb, Playwright: Steve Black; Director and designer: Jonathan Hyde; Producer: Joanna Hole; Lighting: Dan Crawford; Presented by i.e. Theatre &amp; F.I.T. in association with the King&#8217;s Head Theatre.<\/p>\n<p>This review appeared in The Hollywood Reporter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Ray Bennett LONDON \u2013 One night in 1955, a handsome stranger in a tuxedo delivers a bottle of champagne on ice to a beautiful woman alone in a seedy motel room. It&#8217;s obvious who she is, all blonde hair, &hellip; <a href=\"https:\/\/thecliffedge.com\/?p=7733\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,16],"tags":[3831,3835,3833,3837,3836,3834,3832],"class_list":["post-7733","post","type-post","status-publish","format-standard","hentry","category-reviews","category-theatre","tag-missing-marilyn","tag-andrew-crabb","tag-jonathan-hyde","tag-kings-head-theatre","tag-marilyn-monroe","tag-sally-day","tag-steve-black"],"_links":{"self":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/7733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7733"}],"version-history":[{"count":4,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/7733\/revisions"}],"predecessor-version":[{"id":7739,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/7733\/revisions\/7739"}],"wp:attachment":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}