{"id":7922,"date":"2002-01-09T13:16:40","date_gmt":"2002-01-09T13:16:40","guid":{"rendered":"https:\/\/thecliffedge.com\/?p=7922"},"modified":"2015-05-18T13:19:18","modified_gmt":"2015-05-18T13:19:18","slug":"film-review-robert-carlyle-in-black-and-white","status":"publish","type":"post","link":"https:\/\/thecliffedge.com\/?p=7922","title":{"rendered":"FILM REVIEW: Robert Carlyle in &#8216;Black and White&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2002\/01\/Black-and-White-1-x650.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7924\" src=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2002\/01\/Black-and-White-1-x650.jpg\" alt=\"Black and White 1 x650\" width=\"650\" height=\"348\" srcset=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2002\/01\/Black-and-White-1-x650.jpg 650w, https:\/\/thecliffedge.com\/wp-content\/uploads\/2002\/01\/Black-and-White-1-x650-300x161.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><\/p>\n<p>By Ray Bennett<\/p>\n<p>LONDON \u2013 In a remote desert town in South Australia in 1958, a 9-year-old girl is found raped and murdered. On the flimsiest evidence, local police almost immediately arrest a young Aboriginal man and obtain a confession. Only the efforts of a stubborn, inexperienced Adelaide lawyer stand between the accused and the hangman.<\/p>\n<p>Craig Lahiff&#8217;s sturdy courtroom drama, based on real events, follows a predictable path and is unlikely to make substantial gains at the box office but it&#8217;s a laudable effort and certain to please fans of Robert Carlyle.<\/p>\n<p>The &#8220;Full Monty&#8221; star plays the obstinate lawyer David O&#8217;Sullivan whose dislike of the antiquated British-based Australian judiciary drives him to take seriously a case he&#8217;s obliged to take without a fee. He quickly learns that the Aboriginal Max Stuart, played with unsentimental grace by David Ngoombujarra, is illiterate and put his mark on a confession he couldn&#8217;t read.<\/p>\n<p><a href=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2002\/01\/Black-and-White-2-x650.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7925\" src=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2002\/01\/Black-and-White-2-x650.jpg\" alt=\"Black and White 2 x650\" width=\"650\" height=\"433\" srcset=\"https:\/\/thecliffedge.com\/wp-content\/uploads\/2002\/01\/Black-and-White-2-x650.jpg 650w, https:\/\/thecliffedge.com\/wp-content\/uploads\/2002\/01\/Black-and-White-2-x650-300x200.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><\/p>\n<p>When it turns out that Curtis was in police custody for being drunk at the time the murder took place, it appears a dismissal is inevitable. But the pathologist changes her mind and fixes the death outside the timeframe of his alibi.<\/p>\n<p>Only when he&#8217;s sent for trial does Curtis claim that the police beat him in order to obtain the confession. By now, O&#8217;Sullivan is going head-to-head with a pillar of the judicial establishment, Roderic Chamberlain, played with typical elegance and power by Charles Dance.<\/p>\n<p>More evidence emerges that tends to suggest Curtis&#8217; innocence when a compassionate priest becomes involved but he is convicted and sentenced to hang. O&#8217;Sullivan&#8217;s fight to win appeals goes all the way up to a Royal Commission, putting Curtis near the hangman&#8217;s door seven times while the local newspaper, published by one Rupert Murdoch, gets on the bandwagon to defend him.<\/p>\n<p>Ben Mendelsohn plays the young Murdoch as a callow opportunist and the film suggests his enthusiasm for the campaign swiftly ended when he was threatened with prosecution for seditious libel.<\/p>\n<p>The film dips a toe into the role of newspapers influencing trials but drops it as topic to focus on O&#8217;Sullivan&#8217;s class struggle with Chamberlain. Screenwriter Louis Nowra and director Lahiff develop that theme effectively and take the trouble to invest Chamberlain with considerable human dimension.<\/p>\n<p>There is a clever scene in which the aristocratic hopeful for the Chief Justice&#8217;s chair snarls out his view of the case to his wife and their genteel friends, sparing them no brutal detail of the rape and murder as he believes they happened.<\/p>\n<p>O&#8217;Sullivan runs into almost uniformly supercilious representatives of the British legal establishment, however, all with condescending stares and snooty voices. But the lawyer&#8217;s dependence on his reluctant but loyal partner, played sympathetically by Kerry Fox, is well drawn and at no point does Carlyle allow himself to showboat. His is a fully professional performance that shows no strain from the fact that he carries the film on his shoulders.<\/p>\n<p>Lahiff shows little visual flair and the film will fit nicely on the small screen. It&#8217;s a grim tale not told in a grim way; an honorable argument not angry enough. A bit more of Chamberlain&#8217;s superb self-belief might have given the piece a lot more power.<\/p>\n<p>Opens: UK Jan 9 (Tartan Films); Cast: Robert Carlyle, Charles Dance, Kerry Fox, Colin Friels, Ben Mendelsohn; Director: Craig Lahiff; Writer: Louis Nowra; Director of photography: Geoffrey Simpson; Production designer: Murray Picknett; Costume designer: Annie Marshall; Editor: Lee Smith; Producers: Helen Leake, Nik Powell; Not rated; running time, 100 minutes.<\/p>\n<p>This review appeared in The Hollywood Reporter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Ray Bennett LONDON \u2013 In a remote desert town in South Australia in 1958, a 9-year-old girl is found raped and murdered. On the flimsiest evidence, local police almost immediately arrest a young Aboriginal man and obtain a confession. &hellip; <a href=\"https:\/\/thecliffedge.com\/?p=7922\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,14],"tags":[3974,429,3976,3975,1027,3977],"class_list":["post-7922","post","type-post","status-publish","format-standard","hentry","category-film","category-reviews","tag-black-and-white","tag-charles-dance","tag-craig-lahiff","tag-kerry-fox","tag-robert-carlyle","tag-tartan-films"],"_links":{"self":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/7922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7922"}],"version-history":[{"count":3,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/7922\/revisions"}],"predecessor-version":[{"id":7927,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=\/wp\/v2\/posts\/7922\/revisions\/7927"}],"wp:attachment":[{"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thecliffedge.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}