I called Elton John and Lee Hall’s “Billy Elliot: The Musical” irresistible when it opened in March 2005 and so it has proved as the tuneful adaptation of the well-regarded 2000 movie celebrates its second anniversary at London’s Victoria Palace Theatre.
It opens in Australia at Sydney’s Capitol Theatre in December and on Broadway next year. Casting is under way for those productions. Meanwhile, in London the other current Billy Elliots are Leon Cooke, Dean McCarthy and Layton Williams. Jackie Clune takes over as Mrs. Wilkinson on June 4.
Incidentally, Stephen Warbeck wrote the original BAFTA-nominated music for the film. He won an Academy Award for best musical or comedy score in 1999 for “Shakespeare in Love.”
One of the most talented composers in the business, the busy Warbeck is doing the score for John Madden’s upcoming Elmore Leonard picture “Killshot” starring Diane Lane and Thomas Jane.
My favorite Warbeck soundtrack is to Philip Kaufman’s 2000 story about the Marquis de Sade, “Quills” starring Geoffrey Rush and Kate Winslett. It’s filled with arrangements using found instruments and is altogether wonderful both in serving the film and as an album. But I digress.
Read my review of “Billy Elliot: The Musical”