Marlon Brando: the man behind the myth

By Ray Bennett

LONDON – The myth surrounding Marlon Brando, who was born 100 years ago today, has centred not only on his brilliant acting in films such as ‘A Streetcar Named Desire’ (with Vivien Leigh above),  ‘On the Waterfront’, ‘The Godfather’ and ‘Apocalypse Now’ but also his eccentric ways and latterly immense girth.

It’s instructive to recall what he was like as a young man when he burst into worldwide fame on stage and screen. When he made his first movie – ‘The Men’ (below left) in 1950, a story about disabled war veterans – Brando spent six weeks living in a hospital ward of paraplegic soldiers. Determined to recreate their reality on film, he shared their lives and won their confidence. Continue reading

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Lesley-Anne Down on filming with Patrick Swayze

By Ray Bennett

LONDON – Lesley-Anne Down, who turns 70 today, was a stark contrast to Patrick Swayze, her co-star in the hit 1985 U.S. Civil War miniseries ‘North and South’. In interviews for Canadian TV Guide, the enormously likeable but very intense young American actor told me back then, ‘The only thing that will make my career last is if I always deliver one hundred percent.’ The English actress, famous for the 1970s British series  ‘Upstairs, Downstairs’, confirmed the actor’s high energy and drive drily: ‘Oh, very, yes.’ Continue reading

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James B. Sikking, the mad hatter on ‘Hill Street Blues’

By Ray Bennett

LONDON – ‘Hill Street Blues’, the American cop show that was a hit for most of the Eighties, had one of the best casts in television. Of them, James B. Sikking had probably the toughest job playing jut-jawed, pipe-smokimg Howard Hunter, commander of Hill Street’s Emergency Action Team.

Sikking, who turns 90 today, understood that Hunter was a cardboard character used mostly on the show to seque from one scene to another. ‘He’s what I call a coat holder,’ he told me. ‘He’s holding somebody else’s coat while they’re doing the scene. He’s mad as a hatter but from his point of view he’s absolutely correct.’ Continue reading

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Gregory Peck on Abraham Lincoln: ‘A secular saint’

By Ray Bennett

LONDON – Oscar-winning actor Gregory Peck was a great admirer of Abraham Lincoln, who was born 215 years ago today. In 1982, he fulfilled a dream when he portrayed the U.S. president in the TV mini-series ‘The Blue and the Gray’ and his comments then reverberate in today’s political climate in America.

‘I have admired Abraham Lincoln since I was a boy,’ he told me. ‘I learned the Gettysburg Address when I was 12 and recited it in school. I first read Carl Sandburg’s “Lincoln” in university at Berkeley and I was totally absorbed by it.’

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How an NHL match led Norman Jewison to make ‘Rollerball’

By Ray Bennett

LONDON – ‘Rollerball’, Canadian filmmaker Norman Jewison’s only film set in the future, also is his most action-packed and violent and it was inspired by an experience at a National Hockey League (NHL) game.  Continue reading

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Why Norman Jewison quit Hollywood to work in Europe

By Ray Bennett

LONDON – ‘What do you do?’ asked Sen. Robert F. Kennedy. ‘I make movies,’ said Norman Jewison. The former U.S. attorney general, brother of a slain American president, and the Canadian director ,who was building a successful career in Hollywood making studio feature films with big stars, met by chance in Sun Valley, Idaho, in 1967. Continue reading

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What movies meant to director Norman Jewison


By Ray Bennett

LONDON – ’It kinda scares me,’ Norman Jewison said when I asked him in 2011 about the digital revolution in movies and the future of cinema. ‘Everything I see today is so mixed with violence and action. It’s moving so fast that I don’t know how significant the story is. When I was growing up, film was the literature of my generation. All of a sudden, I can see something else happening. It started with the video cameras and the fact that anybody can make a film now. The quality is good enough. It’s not very artistic. The video image, the television image, is different from film. I don’t think that matters to this generation.’ Continue reading

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Cary Grant, smooth as silk … on the surface.

By Ray Bennett

LONDON – When Cary Grant, born this day 120 years ago, died in 1986, Time magazine film critic Richard Schickel wrote, ‘Some distant day, audiences may come to agree that he was not merely the greatest movie star of his generation but the medium’s sublest and slyest actor.’

That was clouded with rehashes of the private torments of Archibald Leach, the deprived working-class kid from Bristol, England, who grew up to be Cary grant. His marriages and affairs; his alleged tightness with a dollar; his experiments with LSD and the long-rumoured suggestion of homosexuality were paraded in books, tabloids and talk-shows. Continue reading

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How Ben Kingsley dealt with instant fame after ‘Gandhi’


By Ray Bennett

LONDON – Ben Kingsley, who turns 80 today, had spent fifteen years on the English stage with occasional small screen roles when Richard Attenborough changed his life by casting him in the title role of his epic feature film ‘Gandhi’ in 1982.

Two years later, over a pleasant lunch in Hill’s Restaurant in Stratford-upon-Avon, he told me how he had adjusted to instant fame after being named best actor at the Academy Awards and the British Academy Film Awards.  Continue reading

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Norman Lear told me, ‘I hate the word satire’

By Ray Bennett

LONDON – American TV producer Norman Lear was heralded as a leading light in political satire but he did not believe it. ‘I hate the word satire,’ he told me, ‘because I don’t know that the level of our work on television is true satire.’

I spoke to Lear, who died on Dec. 5 aged 101, in 1992 when he was executive producer of a series called ‘The Powers That Be’ about a hapless U.S. senator played by John  Forsythe (pictured). It lasted for twenty-one episodes unlike his previous hits such as ‘All in the Family’, ‘The Jeffersons’ and ‘Maude’. Continue reading

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