By Ray Bennett
LONDON – With his blind left eye, American character actor Jack Elam, who was born 100 years ago today, made a perfect villain in hundreds of TV shows and feature films but he told me he was a better auditor than he was an actor.
He started out in the film business as a chartered accountant and worked as an auditor for Samuel Goldwyn Studios and General Services Studios: ‘I do believe that I was as good an auditor as there was when I was an auditor. I was as high a salaried auditor as there was so I knew my business. I felt a very great self-respect as an auditor, which as an actor is pretty hard to feel because you might like what I’m doing and the other fella doesn’t like it at all. You say, jeez, I thought you were great in such-and-such and he says he thought it was a terrible fucking thing and you were awful. There are no matters of opinion in audting. If the sonofabitch balances, you can shove it up your ass, your opinion. You can go fuck it, you know?’ Continue reading →
My wish list for the 2020 Oscars: ‘Little Women’
Best Picture
My favourite film of the year is Greta Gerwig’s ‘Little Women’ with its splendid filmmaking, intelligent update of the story and wonderful performances. The film I admire most is Bong Joon-ho’s ‘Parasite’ with its biting satire, great comedy, astute insight and rollicking surprises.. I enjoyed some other nominated films: Sam Mendes’s ‘1917’, James Mangold’s ‘Le Mans’66 (Ford vs Ferrari)’ Todd Phillips’s ‘Joker’ and Noah Baumbach’s ‘Marriage Story’. Three I thought were awful … Quentin Tarantino’s ‘ Once Upon a Waste of Time in Hollywood’, Martin Scorsese’s ‘Geriatricfellas’ and Taika Waititi’s ‘Jojo Duck’. I would have liked to see nominations for Jordan Peele’s ‘Us’, Josh and Benny Sadfie’s ‘Uncut Gems’, Celine Sciamma’s ‘Portrait of a Lady On Fire’ and Chinonye Chukwu’s ‘Clemency’. I also enjoyed Gavin Hood’s ‘Official Secrets’ and Todd Haynes’s ‘Dark Waters’ Continue reading →