Recalling ‘Lou Grant’ star Ed Asner 

Posted on August 30, 2021 by admin

By Ray Bennett

LONDON: Ed Asner, who died aged 91 on Aug. 29, had a very long and successful acting career on television but he told me he couldn’t get arrested for the big screen. 

‘I have run into downright discrimination against me because of being a TV face,’ he told me in 1979. ‘Director George Roy Hill is recognised as being totally averse to using someone from TV. Barbra Streisand and Jon Peters didn’t want me for “A Star is Born”. Same with “The Godfather”. Henry Winkler and John Travolta seem to go back and forth but with me it’s “Go fuck yourself. Now.”’ Continue reading →

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‘Dear Evan Hansen’ to open Toronto International Film Festival

Posted on July 22, 2021 by admin

By Ray Bennett

The Toronto International Film Festival has selected Stephen Chbosky’s ‘Dear Evan Hansen’ (pictured), based on the hit Broadway show, to be its Opening Night film on September 9. Zhang Yimou’s ‘One Second’ will close the festival on September 18.

Artistic director and Co-Head Cameron Bailey said there was no question that ‘Dear Evan Hansen’ was the ‘ideal film ‘to launch this year’s festival. ‘This film is ultimately about healing, forgiveness, and reaffirms how connected and essential we all are to one another. We couldn’t think of a more important idea to celebrate this year as we come together once again to share the power and joy of cinema in theatres together.’

TIFF GALA PRESENTATIONS 2021 Continue reading →

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BFI celebrates the films of Robert Altman in major season

Posted on May 3, 2021 by admin

By Ray Bennett

LONDON – Robert Altman movies spanning five decades are to be screened in a major season at the British Film Institute. Running from May 17 to July 31, the programme will present 34 films in chronological order including ‘Nashville’ (above), which also will be released in select cinemas across the U.K. on June 25 in a 4K restoration. Continue reading →

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Peter Ustinov: a man of many voices

Posted on April 16, 2021 by admin

ustinov x650

By Ray Bennett

LONDON – Playwright, filmmaker, actor and raconteur Peter Ustinov, who was born 100 years ago today and died on March 28, 2004, was convincing in movies playing many different nationalities. One reason for that was because he was a wonderful mimic. I first met him at a cocktail party in the mid-80s in Toronto when he was promoting ‘Death On the Nile’, his first outing as Hercule Poirot with that strange Belgian/French accent. Given the vast range of dialects he had mastered, I asked him what had been the most difficult accent to imitate. Ustinov thought for a moment and said, ‘A Glaswegian Chinese man’  and he proceeded to give an hilarious example. Continue reading →

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When Adrian Lyne fled from a screening of ‘9½ Weeks’

Posted on March 4, 2021 by admin

By Ray Bennett

LONDON – British director Adrian Lyne, who turns 80 today, is known for his provocative films about sexuality but a preview audience for ‘9½ Weeks’ made him run for his life. Continue reading →

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When David Puttnam got tired of making movies

Posted on February 25, 2021 by admin

By Ray Bennett

LONDON – Aside from being English, David Puttnam and I have two things in common. We are both devoted to Tottenham Hotspur Football Club and we each obtained three O-level GCEs at school. He, of course, had an illustrious career as an Academy Award-winning producer of hit movies and became a fine politician working within the Labour Party to boost education and the British film industry as a member of the House of Lords. I did not. Continue reading →

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Nick Nolte on learning to work sober

Posted on February 8, 2021 by admin

By Ray Bennett

LONDON – Nick Nolte, who turns 80 today, warned me of the dangers that lurked in Los Angeles. The Iowa-born actor had an explosive impact playing rebellious fighter Tom Jordache in the hit 1976 TV miniseries ‘Rich Man, Poor Man’, based on Irwin Shaw’s terrific novel. He played rough-edged and rowdy characters in ‘The Deep’, ’48 Hrs’ and ‘Teachers’. He also made more thoughtful pictures including ‘Who’ll Stop the Rain’, ‘Under Fire’, ‘Cannery Row’ and ‘Heart Beat’. Continue reading →

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Why Robert MacNeill stopped getting angry about poor English

Posted on January 19, 2021 by admin

By Ray Bennett

LONDON – Canadian newsman Robert MacNeill, who turns 90 today, shared my fascination with how English was used on radio and television. In 1986, the urbane and articulate co-anchor of the news programme ‘The MacNeill-Lehrer Report’  on America’s PBS-TV had spent the previous three years exploring the impact of the English language around the world.  MacNeill was co-writer and narrator of ‘The Story of Engish’, a $3 million BBC co-production that remains available on DVD along with an accompanying book with the same title. Continue reading →

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Mel Gibson, great filmmaker, shame about the demons

Posted on January 3, 2021 by admin

By Ray Bennett

LONDON – I’ve spent time with Mel Gibson, who turns 65 today, and always found him to be genial, open and likeable even though he gave me a clue about his demons in an interview in 1984. It’s a shame they got the better of him as he is a good actor and a formidable filmmaker (‘Braveheart’, ‘Apocalypto’). Continue reading →

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Jack Elam on westerns, auditing, acting … and that fly

Posted on November 13, 2020 by admin

By Ray Bennett

LONDON – With his blind left eye, American character actor Jack Elam, who was born 100 years ago today, made a perfect villain in hundreds of TV shows and feature films but he told me he was a better auditor than he was an actor.

He started out in the film business as a chartered accountant and worked as an auditor for Samuel Goldwyn Studios and General Services Studios: ‘I do believe that I was as good an auditor as there was when I was an auditor. I was as high a salaried auditor as there was so I knew my business. I felt a very great self-respect as an auditor, which as an actor is pretty hard to feel because you might like what I’m doing and the other fella doesn’t like it at all. You say, jeez, I thought you were great in such-and-such and he says he thought it was a terrible fucking thing and you were awful. There are no matters of opinion in audting. If the sonofabitch balances, you can shove it up your ass, your opinion. You can go fuck it, you know?’ Continue reading →

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