Robbie Robertson and The Band doc to open TIFF 2019

By Ray Bennett

LONDON – The documentary feature ‘Once Were Brothers: Robbie Robertson and The Band’ will have its world premiere at the Opening Night Gala of the Toronto International Film Festival on Sept. 5, TIFF announced today. Continue reading

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Sidney Lumet on high comedy and great acting

By Ray Bennett

LONDON – American filmmaker Sidney Lumet, who was born 95 years ago today and died in 2011, made a series of fine and gripping social dramas from the 1950s through the 1980s but he was a big fan of high comedy and the performers who could carry it off.

He told me, “I think there’s a large underestimation of high-comedy. For years, they kept saying, oh, Cary Grant, he’s charming but he can’t act but, by Jesus, that’s acting, let me tell you. It’s very hard acting, it’s wonderful acting. People equate seriousness with quality and that isn’t so.” Continue reading

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‘Under Fire’ with Nolte, Cassidy and Hackman new on Blu-ray

By Ray Bennett

LONDON – Great news! Roger Spottiswood’s excellent  1983 political thriller ‘Under Fire’ starring Nick Nolte, Gene Hackman, Joanna Cassidy,  Ed Harris and Jean-Louis Trintignant is out today on Blu-ray Disc in the U.K. from Eureka Entertainment. Continue reading

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That time with a lobster on a boat off New Brunswick

By Ray Bennett / The Windsor Star / Feb. 19 1972

When eating a lobster, don’t break open its body on a boat in the Bay of Passamaquoddy, you may never eat lobster again.

Don’t misunderstand, the lobster in New Brunswick is as fine you’l get anywhere. There were members of our party, as we gently rode the Atlantic waters off southern New Brunswick in the the good ship Bo-peep, who devoured their lobsters with the nonchalance of a galloping gourmet. Continue reading

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FILM REVIEW: Natalie Portman in ‘Vox Lux’

By Ray Bennett

TORONTO – Just as in ‘Jackie’ two years ago, Natalie Portman gives a scintillating performance of a driven and complicated woman in a not very successful picture. Director and screenwriter Brady Corbet’s ‘Vox Lux’, which opens today in the United Kingdom, tells of a pop superstar named Celeste who survived a mass murder as a teenager, is a bit of a mess but even though she enters the picture late, Portman is mesmerising. Continue reading

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Cheers to our Will, not sorry old George

By Ray Bennett

Today is St. George’s Day named for the patron saint of several places  such as Aragon, Catalonia, Ethiopia, Georgia, Greece, Lithuania, Palestine, Portugal and Russia. Oh, and England. We English, of course, don’t mark April 23 in the boozy way the Irish do on St. Paddy’s Day. That would never do. It happens also to be Shakespeare’s birthday and we’d much rather honour our Will. Continue reading

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Argentina’s Daniel Tarrab takes time to tango

By Ray Bennett

LONDON – Argentinian composer Daniel Tarrab, who has had a long and successful career writing film scores, has released an album of jazz-influenced tango pieces titled ‘Otra Mirada (Another Look)’ on Silva Screen Records. Continue reading

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Film Review Brief: Trevor Nunn’s ‘Red Joan’

By Ray Bennett

LONDON – Trevor Nunn’s slightly old-fashioned espionage drama ‘Red Joan’, which opens in the United Kingdom today, won’t set any box-office records but it is an absorbing drama.

Sophie Cookson (pictured above with Stephen Campbell Moore) is very impressive as idealistic young physicist Joan Stanley who gets involved with a group of intellectual communists at Cambridge just before World War II and ends up in a plot to share the secrets of the atom bomb with the Soviet Union. Tom Hughes and Ben Miles co-star.

The story is told in flashbacks with Judi Dench as the older Joan. Theatre legend Nunn shows he knows about film too. George Fenton’s score is typically evocative. It screened at the Toronto International Film Festival in 2018.

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On Stanley Kubrick’s ‘A Clockwork Orange’

By Ray Bennett

LONDON – Stanley Kubrick’s controversial ‘A Clockwork Orange’ starring Malcolm McDowell is re-released in the United Kingdom today. As always with Kubrick, it is a striking combination of visual power, evocative music and powerful drama. Now controversial for the right reasons, it remains disturbing but intensely watchable.

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Michael Caine: recalling a class act at the 2000 Oscars

By Ray Bennett

Spending time with Michael Caine is always a pleasure and since today is his 86th birthday, here’s one of my favourite encounters from 2000.

LOS ANGELES – It’s ironic that the word on everyone’s lips following Michael Caine’s acceptance speech at the Oscars on Sunday is ‘class’. It’s a word he’s been battling all his life.

As a Londoner from the wrong side of the tracks, dropping every ‘h’ and ‘g’ in his speech, Caine has run into Britain’s “class” system at every turn. He has observed that while in the States he is recognised as a successful and critically acclaimed star, among the nobs of the U.K. cultural establishment, he’s regarded as a ‘Cockney yobbo’. Continue reading

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