By Ray Bennett
KRAKÓW – David Arnold and his music for the James Bond film “Casino Royale” made sure the 11th Kraków Film Music Festival ended on a high note Sunday night as he played the iconic 007 guitar theme over the end credits at a screening of the film with live orchestra. Continue reading
By Ray Bennett
KRAKÓW – Music and songs from Icelandic film and television composer Atli Örvarsson’s band Torrek and the movies of Spanish filmmaker Pedro Almodóvar enlivened the night on June 1 in a funk and funk concert called Dance2Cinema: All About Almodóvar | Funk & Folk at Kraków’s Museum of Municipal Engineering. Continue reading
By Ray Bennett
KRAKÓW – Often in minor chords and melancholy but then again rousing, lush and hopeful, the music of Polish cinema filled the newly named Krzysztof Penderecki Hall at ICE Kraków Thursday night as the Film Music Festival presented scores from films by homegrown filmmakers, especially internationally acclaimed director Agnieszka Holland. Continue reading
By Ray Bennett
KRAKÓW – Krzysztof Penderecki does not make music for movies, directors make films for his music. That, at least, is how it appeared at the Kraków Film Music Festival’s Penderecki2Cinema concert Wednesday evening.
The legendary Polish composer (above), celebrating his 85th birthday, was on hand to accept several standing ovations after conductor Dirk Brossé led the National Polish Radio Orchestra through four of his most acclaimed works that were written for the concert hall but have featured in iconic movies by directors such as Stanley Kubrick, Martin Scorses and Andrzej Wajda. Continue reading
By Ray Bennett
KRAKÓW – American composer Elliot Goldenthal paid tribute to two Polish heroes at a media conference to open the 11th annual Krakow Film Music Festival today. Oscar-winner for “Frida” and recipient of the festival’s first Wojciech Kilar Award in 2015, he said that the first time he saw the sheet music for Krzysztof Penderecki’s “Threnody to the Victims of Hiroshima for 52 Strings” when he was 17, he turned pale and started to tremble. Continue reading
By Ray Bennett
KRAKOW – When Michael Nyman asked director Jane Campion why she chose him to write the music for her 1996 film “The Piano”, she said something that pleased the iconic British composer very much. “You’re the only composer,” he recalled her saying, “who can create music that instantly and convincingly defines a world.” American actress Holly Hunter, who won an Oscar for the picture, also made a remark that he treasured. “She said I had helped her, through my music, to create the character,” Nyman told me. “That is the ultimate vindication of what the composer does. I had helped to create the mood or psychological grounding on which she was then able to build.” Continue reading
By Ray Bennett
LONDON – My hopes are with Guillermo del Toro’s dazzling “The Shape of Water” (pictured) at tonight’s 71st British Academy Film Awards although such is the high calibre of most of the nominees that it would be hard to begrudge other winners. Continue reading
By Ray Bennett
LONDON – Paul Thomas Anderson’s new film ‘Phantom Thread’, starring Daniel Day-Lewis as an eccentric and punctilious fashion designer in 1950s London, is a thoroughly absorbing intellectual horror film in which the horror is entirely internal. Continue reading
By Ray Bennett
LONDON – Given the times, it’s no surprise that Steven Spielberg wants to tell the story of a corrupt swine in the White House who turns the press into an enemy. It’s also hardly surprising that film critics on newspapers love the earnest depiction of print versus power in ‘The Post’. It is disappointing, however, that with all the talent involved, the film is so dull. Continue reading
Diversity in the top Academy Awards: a look at the numbers
By Ray Bennett
LONDON – In the discussion about diversity in the top prizes of the Academy Awards, it’s worth noting that the Oscar for best director has gone to a white American male only five times in the 16 editions of the 21st century and only once in the last nine years. Continue reading →