By Ray Bennett
LONDON – Worldwide headlines about the Oscar fiasco over mixed-up envelopes that saw “Moonlight” triumph over “La La Land” as best picture has been a big help to the low-budget picture’s international theatrical release.
I’m happy to have been proved right when I made that prediction on Monday on BBC World News (see clip below). Continue reading
By Ray Bennett
LONDON – Mind over matter is refined in Lindsey Ferrentino’s absorbing new play “Ugly Lies the Bone” at the National Theatre to the application of virtual reality to deal with physical and emotional pain. Continue reading
By Ray Bennett
LONDON – My life as film critic began 60 years ago with a log of movies I saw along with my verdict on each one. I was 11.
The first movie image I recall seeing was of a man with curly white hair in a battered top hat who reaches deep into a pocket of his baggy overcoat and when he draws out his hand, his fingers and thumb are lighted candles. Continue reading
By Ray Bennett
In a year that has featured many fine films with splendid performances by women, the movie I enjoyed the most was Denis Villeneuve’s “Arrival” starring Amy Adams (pictured).
In my review from the Toronto International Film Festival, I said: “Science-fiction movies that threaten to depict creatures from outer-space generally leave me cold but Denis Villeneuve’s “Arrival” presents a plausible “what if?” grounded in a contemplative question for humankind with another standout performance by Amy Adams. Continue reading
By Ray Bennett
Very pleased to see that Kate Beckinsale (pictured right) has won two nominations in the 37th London Critics’ Circle Awards for her sparkling performance in Whit Stillman’s Jane Austen adaptation “Love and Friendship”, which garnered seven nominations overall including film of the year and British film of the year. Continue reading
By Ray Bennett
Canadian writer and performer Alan Thicke, who died on Tuesday aged 69, was one of the good guys. He found lasting fame on the Eighties sitcom “Growing Pains” but he was multi-faceted and he had to overcome one of the most public failures in TV history.
As he told me once, “nothing succeeds in Hollywood like failure, as long as you fail big.” Continue reading
By Ray Bennett
Damien Chazell’s musical fantasy “La La Land” starts badly but evolves into a sweet little film for romantics thanks largely to winning performances by Emma Stone and Ryan Gosling.
A tale of two dreamers whose ambitions in Hollywood are at odds in many ways but dovetail when it comes to romance, it’s a shame that the director’s love for musical overkill threatens to swamp a charming story.
“La La Land” begins with such aggressively appalling musical numbers that when I went to see it at the Toronto International Film Festival, I fled after 20 minutes. Only when film lovers I trust urged me to stick with it did I discover something genuinely pleasing. Continue reading
By Ray Bennett
LONDON – Angie Dickinson, who turns 85 today, claimed many a young man’s heart in 1959 when, as a woman named Feathers, she squared off in only corset and tights against John Wayne in the great Howard Hawks western, “Rio Bravo”.
We didn’t notice or care that the Duke was old enough to be her father, it was her blazing eyes and fighting spirit and, oh yes, those legs. Continue reading
By Ray Bennett
TORONTO – The big talking point at the 41st annual Toronto International Film Festival, which ended Sunday, was the sheer number of films that featured high-profile performances by women.
Around 400 titles were screened at the shindig, which kicks off the awards season and shines a light on what will be in cinemas and home screens over the coming months. British actresses among those acclaimed for their performances include Gemma Arterton, Sally Hawkins, Rosamund Pike, and Rachel Weisz, along with Amy Adams, Brie Larson, Rooney Mara, Nicole Kidman, Natalie Portman, Hailee Steinfeld, Kristen Stewart and Emma Stone. Continue reading
Notes ahead of the 2017 Academy Awards
By Ray Bennett
LONDON – Repeat screenings of the Academy Awards nominees serve to reinforce original impressions so while I doubt that it will win, my choice for best picture remains Denis Villeneuve’s profound sci-fi picture “Arrival” (pictured).
Kenneth Lonergan’s “Manchester by the Sea” is a haunting and ultimately life-affirming story of grief and guilt and I would not be displeased if it were to win. Continue reading →