Drinking wine in the sunshine with Patrick Swayze

By Ray Bennett

LONDON – Patrick Swayze jumped menacingly from the corral fence to the dusty ground of his ranch in the flats next to the Angeles Forest in La Canada. “Steve McQueen said what?” he said. “There’s nothing tough about making movies,” I repeated. Swayze shook his head. “God, I loved that man but that sounds like bullshit to me.”

That was a long time ago before Swayze had hits like “Dirty Dancing”, “Ghost” and “Point Break”. He would have turned 65 today but Swayze died of pancreatic cancer at the age of 57 in 2009. When I spent a day with him in 1985, when he was 33, he was full of life, feisty and combative. Continue reading

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FILM REVIEW: Taylor Sheridan’s ‘Wind River’

By Ray Bennett

LONDON – The bleak but beautiful frozen wilds of Utah substitute readily for Montana in Taylor Sheridan’s taut, violent and gripping crime drama “Wind River” in which Jeremy Renner is both cool and moving as a troubled hunter who helps Elizabeth Olsen’s plausible FBI agent on the trail of a murderer and rapist. Continue reading

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The night Jeanne Moreau and I had square bottoms

By Ray Bennett

LONDON – Standing alone in the middle of the stalls before a concert in Ghent, I saw the petite figure of a woman enter the hall and stroll to the seat directly in front of me. She turned and put out her right hand. “Allo,” she said. “I’m Jeanne Moreau.” Continue reading

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FILM REVIEW: Christopher Nolan’s ‘Dunkirk’

By Ray Bennett

LONDON – Christopher Nolan’s “Dunkirk” is a spectacular fireworks show filled with exciting action but as a record of an iconic World War II event it falls short and as human drama it’s a damp squib.

When fighter planes are screaming, bombs are exploding and bullets are flying, it’s pulsating stuff with a gut-punching battle between sound effects and Hans Zimmer’s score, which the composer wins through sheer verve and ingenuity. Continue reading

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Do film critics matter any more?

By Ray Bennett

LONDON – When everyone is a critic, who needs critics?

It’s a question asked more and more in the movie industry as the ranks of mainstream critics dwindle and the tide of those with something to say online surges ever stronger.

The consensus is that some critics do still matter but their employers, the film industry and the general public hold them in less esteem than they used to. Meanwhile, everyone’s on Facebook. And Twitter. And YouTube. And Instagram. Continue reading

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FILM REVIEW: Vincent Perez’s ‘Alone in Berlin’

By Ray Bennett

LONDON – For those who have not read Hans Fallada’s terrifying novel “Alone in Berlin”, Vincent Perez’s film version is probably a mildly absorbing drama about two people bucking the odds. For those who have read it, the film is hugely disappointing. Continue reading

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Lalo Schifrin on his love of the music for ‘Tango’

By Ray Bennett

Argentinian composer Lalo Schifrin, who turns 85 today, is known for his concerts, recordings, film scores such as “Bullitt”, “Cool Hand Luke” and “Dirty Harry” and TV shows such as “Mission: Impossible” and “Mannix” but one of his most treasured works was for Carlos Saura’s Oscar-nominated musical “Tango”.

“I feel very proud of being involved in that movie,” Schifrin told me in 1998 just before the film had its international premiere at the Toronto International Film Festival. Continue reading

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Twenty of the best films of the century so far

 

By Ray Bennett

LONDON – The New York Times critics have named their choices of the best movies of the 21st century so far. They include titles such as “I’m Not There”, “L’Enfant” and “The 40-Year Old Virgin” but ignore fine films such as “Arrival”, “The Grand Budapest Hotel” and “Inception”.

Any such list is, of course, subjective. We all can think of great films overlooked but here, in alphabetical order, are 20 more films that for me have been highlights of the century so far. All are available on Blu-ray and/or DVD except “The Sun Also Rises”. Continue reading

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A subjective list of movie scores that I like very much

By Ray Bennett

LONDON – “A good music score,” two-time Academy Award winner Randy Newman told me, “cannot turn a bad movie into a good movie but it can raise its IQ by a couple of notches.”

My friends at the World Soundtrack Awards in Ghent recently drew attention to a ranking of the best film soundtracks published sometime ago in The Guardian newspaper and when I said it was a terrible list, they asked me to make my own suggestions, so here goes. Continue reading

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Memories of KFMF’s brilliant 2017 birthday party

By Ray Bennett

LONDON – Most big film shindigs including Festival de Cannes and events from Berlin to Venice are like being in a bubble. When you’re there, nothing else matters. As soon as it’s over, you forget about it. The Krakow Film Music Festival (KFMF) is the exception.

Every year, those lucky enough to be there continue to share memories long after it ends. KFMF’s principal organisers, Robert Piaskowski and Agata Grabowiecka oversee a dedicated team and a flock of volunteers each year to produce a festival that celebrates film and television music in the best possible way: they invite the best. Continue reading

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