By Ray Bennett
Damien Chazell’s musical fantasy “La La Land” starts badly but evolves into a sweet little film for romantics thanks largely to winning performances by Emma Stone and Ryan Gosling.
A tale of two dreamers whose ambitions in Hollywood are at odds in many ways but dovetail when it comes to romance, it’s a shame that the director’s love for musical overkill threatens to swamp a charming story.
“La La Land” begins with such aggressively appalling musical numbers that when I went to see it at the Toronto International Film Festival, I fled after 20 minutes. Only when film lovers I trust urged me to stick with it did I discover something genuinely pleasing. Continue reading